"Pretty terrible, really" - a review by pearly28 Days Later. Thankfully, it's not a sequel to 28 Days (2000), that delightful piece of trash starring Sandra Bullock. Regardless, I've still had to listen to mino make that exact joke every bloody time I've mentioned this film. To hell with you Paul! You make my every waking moment a nightmare. In much the same way as every waking moment is whilst watching 28 Days Later.
Well, maybe not quite. But it rounded off my rant nicely, don't you think?
In truth, 28 Days Later isn't excruciating enough to have you tearing your eyes from their sockets, but it's not exactly what I would call quality viewing either. It's set in the UK, where a mysterious virus has taken over, and only a few uninfected souls remain, desperately trying not to mix blood with the infected, who have all become as crazy and bloodthirsty as a vampire at breakfast time.
First, we have Jim (Cillian Murphy). He was unconscious when the virus began to spread, and he wakes up to find that London is deserted. He wanders the streets, getting a little freaked out by it all, and miraculously manages to make it out alive, when he bumps into Selena (Naomie Harris) and Mark (Noah Huntley). You can tell almost straight away that Selena is going to be the love interest for Jim, because they don't like each other.
After some fun and hijinks killing any infected person they come across while going through some near misses themselves, they meet up with Frank (Brendan Gleeson) and Hannah (Megan Burns). Frank has tuned a radio in, and hears of a place where they have supposedly found a cure for the virus. And so, off the little group head to find salvation.
The premise for 28 Days Later reminded me, more than a little bit, of the backstory to 12 Monkeys (1995): a virus capable of wiping out the entire human population, which began with a bunch of monkeys. Unfortunately, the way that this film took this idea was totally different and not nearly as interesting. Put simply, it's a thriller. Just when you think that our heroes are going to be okay, something else happens to jeopardise their lives.
And thus, you have the group claiming to have the cure for the virus - the storyline which takes up the second half of the film. It annoyed me that the film went in this direction. It was all too obvious and heavy-handed for my liking. Either the film wants to be a mindless thriller with a bit of sci-fi appeal thrown in for good measure, or it wants to be a comment on society. It shouldn't have tried to be a half-arsed attempt at both. Yuck.
On the DVD, there's a bonus section which storyboards an alternate ending for the film. The storyboard reaches about halfway, and then the voiceover says something along the lines of "Then we hit a dead end. We'd already established that a single drop of blood could infect a person, and in this ending, we wanted people to believe it was possible to cure someone via an entire blood tranfusion. It just wasn't believable!". Perhaps not, but if Alex Garland, the writer, has the foresight to realise how crappy this ending would have been, why couldn't he have done something about the actual ending? |
Rating given: 9
A comment from daniel on Wed 01 Sep 2004 22:00 #